Art, science and transcendence
a comparison between Tolstoy and Plato
by Drs. T. J. Kuijl ©1995-1999
last updated April 29, 1999

INTRODUCTION

          1.

          A comparison between Tolstoy and Plato

          Could Tolstoy and Plato actually be compared in the way both use transcendence as a source of inspiration and for guidance in matters of arts and science? This introduction aims to introduce the most essential features with which this quest can be started. First Tolstoy’s aesthetic appreciation will be introduced. He formulates in "What is art?"1 how art and science serve their true purpose when they are connected with our 'religious perception'. His frame of thinking suggests an interesting resemblance with Plato's written opinions concerning Eros and its drive to transcendence. Consequently Plato's 'doctrine of Eros' will be introduced to illuminate the way Plato uses Eros as the dynamic, creative and transcending force in arts and science. This procedure will open then the possibility, to prove Tolstoy's structural coherence between art, science and transcendence to be on some major issues identical with Plato's. The psychological dimension both perceive in their qualification of art and science shows a striking similarity. This introduction will end with a further reference to the contents of the next chapters.
 
 
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Last updated April 29, 1999
author: Drs. T. J.  Kuijl ©1995-1999. Comments are welcome and can be send via e-mail (click on e-mail)
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1. L. Tolstoy, What is art?, translated from Russian by A. Maude, W. Gareth (red.). London 1994; first published 1889.